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‘It’s about being true to yourself’

16 October 2014

Big Music Project Hub champion Sean Kinsley on what inspires him and why his work’s the real deal…

Rap musician Sean, 24, volunteers at The Big Music Project hub, The Street, where he organises gigs workshops and events. We caught up with Sean at The Big Music Project Live event in London.

Sean and guitarist performing on stage

As a Big Music Project champion, Sean stages events that use music to glue the community together.

“I get a lot out of The Big Music Project,” he says. “I like to help people through issues and I also like music and to be able to connect them is amazing.”

Scarborough-based The Street, holds regular gigs, runs recording sessions, workshops and a production course for young musicians and plans to add music video directing, fashion design and drama. It put on an event with Oxjam Music Festival, this Autumn, which spanned genres like hip hop, punk, acoustic, pop and grunge.

One thing Sean’s especially proud of helping is new recording artists find their feet.

“We’ve got some people whose self-esteem is really low,” he explains. “Getting them to do things like record a simple chorus, even if there’s nobody there, they find it very nerve-wracking. So I eke them into it in the studio by building their confidence.”

One person he’s helped recently played a gig at Moj

o’s Music Café in Scarborough. “That’s a pretty big thing because they’ve gone from being scared to even sing a note in front of people to doing gigs for 60 people. It was amazing.”

With his own music, authenticity is everything. “I rap about my life and the things that inspire me.” Shunning mainstream hip-hop fodder like girls, guns and gangsters, Sean raps about real people’s struggles. “I don’t rap about girls and clubbing because that would be lying. I’m in a committed relationship. I’m just a normal guy who feels for people who have it rougher than me. That’s what I write about.”

Rapper Sean holds up his award

One such person is a friend who felt pushed out by her mother’

s new boyfriend and ran away from home and lived rough. “She said things like that change you because people look at you and judge you. They don’t ask your story, but instantly think you’re a druggy, an alcoholic or a waste of space. I wrote a song about that.

Besides building confidence in new artists, Sean also uses music to help other young people cope with personal issues such as bullying.

He says The Big Music Project has come at the right time. “More people want to be involved in the music industry and not just on stage. More want to work backstage. You wouldn’t have the artist if you didn’t have the people helping out back stage, so it’s an amazing thing to see.”

At The Big Music Live London Sean spoke to the Big Lottery Fund about the live event, volunteering and his busy schedule.

 

The last of the four national Big Music Project Live events is in Belfast this  Saturday. They have attracted thousands of young people and major artists. But it doesn’t stop there. The Big Music Project is also running an internship and work-experience programme, including online listings and associated careers advice called The Big Music Project On Track Scheme for young people who want a career in music.

Follow @BigMusicUK and #BigMusic for the latest.

Extra money for Reaching Communities applicants

15 October 2014

a man does headstand on another mans head

Community groups are so busy doing their day-to-day work that they have little time or money left for their staff and trustees to learn new skills or focus on long-term goals, grant holders have told us.

So we’ve decided to offer extra money to organisations who are applying to our Reaching Communities programme to help them develop their skills, knowledge and confidence.

This money is available for all stage two applicants to Reaching Communities and stage three applicants to Reaching Communities buildings. You can ask for up to 10 per cent of the grant you’re applying for – up to £15,000. We’ll send you full details when we invite you to apply.

You don’t have to use this money just on staff involved in your Reaching Communities project. We want there to be a lasting benefit to your organisation, so we’d like you to use the money to look at your organisation as a whole. Can you think of areas of your work that could be a whole lot better with some extra support or training?

Group meeting at a tableIf you are just starting to plan your project, or you’re filling out a stage one form, you don’t need to worry about this yet. The money will be added to your grant if your stage two application is successful.

If you are completing a stage two application now, find out more by downloading the Building Capabilities guidance notes.

 

Find out more about our approach to supporting organisations to increase skills and confidence.

The Reveal

14 October 2014

It struck me one day – why should artists that have a disability or condition, such as Down syndrome be treated any differently to other artists? We all have our eccentricities, it’s what makes us unique, especially creatively _MG_4743-200x200minded souls – they thrive on being different! Why therefore, should a piece of work created by an individual with Down syndrome be given any less, in regards to respect, an honest critique or it’s worth…. The Big Lottery Fund agreed with me and my project Heart & Sold was awarded £10,000 for a special event._MG_4743-full

In 2007 we had a son, Max, born with Down syndrome. I spent the first two years of his life in part time educational counselling courses. This eventually led to an MA in Art Psychotherapy of which the first academic year brought all my demons to the surface, through necessary self-study. As hard as this was, it allowed me to quickly come to terms with my son’s condition. I deferred due to the fact I wanted to focus on enjoying him and his older sister (they now both have a younger sister too).

Content as a full time mum, I soon found a gap once Max started school. This allowed me precious time to reflect on previous years, especially my short time analysing the various art works produced by those with a condition, disability or mental illness during the first year of my MA. That’s when it struck me; art comes from within and shouldn’t be judged on conditioning, prejudice or wrongful perception. In fact, it shouldn’t be judged on outward or inward appearances at all, but on whether or not you like what you see.

My project, Heart & Sold, was created specifically for artists that have Down syndrome. It’s an arts organisation established to help celebrate, support and promote an international collective of creative talent, which now includes artists from America, Nigeria, Australia and the U.K.

We ran a small pilot exhibition in 2012 and its success led to the creation of a fully interactive website, allowing the public the opportunity to read about the artists and purchase limited edition prints of their works. A great PR opportunity then came when the Duke & Duchess of Cambridge accepted one of our artist’s original works for Prince George’s nursery last year. This made headlines around the world, firmly establishing us as a professional arts organisation and advocate for disability art.

_MG_5130-halfThis success gave us the confidence and ambition to organise something special – the Heart & Sold exhibition launch! It was called The Reveal and  included original works selected from our international collective of artists, but it needed funding…that’s where the Big Lottery Fund came in.

Their belief in our organisation enabled us to produce a professional arts exhibition in the heart of London, allowing our largely unknown and unappreciated artists, the platform they so deserved – to create, educate, inspire, sell and most importantly promote the idea that art is from the heart and has nothing to do with the condition. Find out more about Heart & Sold here.

On track with Build-it

7 October 2014

Build-it is a Big Lottery-funded programme led by London Youth. It will give oasis1,500 young people in the London Borough of Lambeth the chance to learn construction skills and get work experience through building and repairing social housing and other facilities across the borough.

The film features the Right Track project – part of the Oasis Children’s Venture charity in Stockwell. Build-it has played a vital role in refurbishing a facility popular with young people from the area.

The film includes interviews with Build-it participant Jamie Simpson,  Build-it delivery officer Claude Murray, and Right Track manager Jean-Pierre Moore.

 

 

For more information on the work of London Youth call Abdullah Mahmood, Communications Support Officer on  020 7549 8815.

London Youth supports a network of over 400 community youth organisations, reaching 75,000 young people across every London borough.

Nice one, Ron

9 September 2014

Age UK volunteer Ron Coppins was one of the older people who was involved in developing the Ageing Better initiative. Now 78, Ron is living proof that old age can be fun.age-better-blog3-square

Retired Senior Manager Ron from Hammersmith West London was one of the original members of the design group who helped to develop the Ageing Better initiative.  The group was a diverse group of older people recruited to provide input into the programme design, they were people who were active.

Ron holding his award

Ron Coppins, Outstanding Volunteer of the Year

“I’m still involved with Age UK, I am down the centre almost every day. I get involved in everything from doing the Bingo sessions to helping out in the kitchen and just chatting to people.  Most recently we have been working with primary school children and that keeps me young, I teach them card tricks!”

Before Ron joined age UK he was at a bit of a loss, he had looked after his ageing parents all his life and when they died he was in the wilderness for months, however one day he went along to his local town hall and by chance met with someone from Age UK he became a volunteer there which led him to become involved with the Ageing Better programme.

“If it hadn’t been for my involvement with the Big Lottery Fund none of this would have happened and I am a better man for it. I really miss the friends and fun that we had during all those meetings. I still get asked to show the film that I made to local schools, churches and clubs. I was honoured by the local borough last month by being voted as the Outstanding Volunteer of the Year. I know that what I learnt by being part of the Big Lottery Fund project helped me to be a better person and contributed to me getting this award”

“I feel as though I’ve achieved something and I’m proud of that.”

My involvement with Ageing Better

8 September 2014

Christine Squires has spent over 10 years volunteering with disability organisations in Gateshead, helping people fight for the services they are entitled to. She used her experiences as agingbetter-blog1-squarean advocate in helping Big Lottery Fund to develop its Ageing Better investment

CHRISTINE-&-'KINA'

I lost my mum to cancer nearly six years ago; she was my only family. When I returned to the home we shared knowing she would never come back, I felt all alone for the first time in my life. I had two options, either to continue with my voluntary work or isolate myself by staying in away from people. I decided to help others who feel lonely and isolated.
I am a wheelchair user, so, after my mum died, I was fortunate enough to get an assistance dog called Kina through Dogs for the Disabled. Kina picks things up for me, empties my washing machine, opens and closes doors, takes off my shoes and socks and brings me my post when it drops through the letterbox. Kina is very, very special to me and with him around I never feel alone – he is my best buddy.

When I am out walking my dog I come across many older people who live on their own. It costs nothing to stop and say hello or share a smile with them. It’s the small things that can make a huge difference to someone’s day.
It was a great privilege to be part of the team of 14 older people that helped develop the Big Lottery Fund’s Ageing Better investment by contributing our knowledge of the challenges older people face. I was involved in discussing ideas about social isolation and how people could be more involved within their communities.

I was on the interviewing panel to select the contractors that will support the funded areas and was also involved in the meetings to choose the 15 areas where the investment will happen. My involvement with Ageing Better over the last three years has made me feel more confident in my own skills, knowledge and abilities.

The funded areas now need to reach out and find the many older people who feel lonely and isolated. I believe this funding will mean that fewer older people will feel isolated and feel more connected to their communities.
Ageing Better is funding 15 projects across England to tackle social isolation among older people.

Find out more about the projects being funded today

Tackling Social isolation amongst older people

8 September 2014

Social isolation affects more than 200,000 older people in England. Baroness Greengross, Chief Executive of the International Longevity Centre, welcomes the Big Lottery funding of £82 million tackling the issue.agingbetter-blog2-square

Earlier this year the International Longevity Centre –UK (ILC-UK) published a report which argued that policy makers should work to ensure that communities do more than cater for our basic needs. Our report argued that communities should be places of fun for all. We urged the local, voluntary and statutory sectors to work together to tackle the problems of isolation among older people.

Sally GreengrossWhist there has been some innovation at a local level, we are faced with a situation where isolation is sadly all too common.

One in ten over 85s report they have no friends. And a worrying one in four people aged 85 and over say they are at least somewhat dissatisfied with their life overall.

ILC-UK’s analysis of the English Longitudinal Study of Ageing found that almost four in ten of those aged 85 or older faced some kind of social exclusion. We found that almost four in ten of those aged 85 or older faced some two or more kinds of social exclusion. For those aged 60-64 years old, the figure was 12.4% experiencing two or more kinds of exclusion.

Our research on centenarians published in December 2011 found that quality of life among the oldest old decreases with age.

Tackling the challenges of isolation and exclusion are not simple. But they do require the sort of programmes and investment which is being announced today.

These new projects are extremely welcome as is the long term commitment from the Big Lottery Fund. I hope that evaluation of their long term impact will lead to service improvements, innovation and also policy change. Most importantly, these projects must play a major role in tacking isolation at the local level.

Ageing Better is funding 15 projects across England to tackle social isolation among older people.

Find out more about the projects being funded today

This family has always got time for me

5 September 2014

A network of communal men’s sheds that provide a place for men to meet and make things is springing up across the English-speaking world.  Robert Blow visited the Big Lottery-funded Men in Sheds in Eltham, South London, and found a home from home

At Men in Sheds older men get together in fully equipped workshops to bang nails, plane wood, and drink tea. They also do a fair amount of talking.

The idea for Men in Sheds kicked off in Australia and has now become a worldwide phenomenon. It’s a place where older men come together to share skills and socialise in a friendly environment.

The Eltham Men in Sheds – one of the first in the country – is run by Wendy Smith, Pauline Cahill and Steve Cas-smiling-300x400 Paxman from charity Age UK Bromley & Greenwich. They told me that men – even when they feel lonely – struggle with the idea of joining a support group. Men in Sheds is perfect for them because it gives them the opportunity to do something and make a solid contribution, which men feel more comfortable with than sitting around and talking about their feelings.

If, however, someone needs to talk, Wendy, Pauline and Steve are there for them.

Caswell Pryce started coming to the Eltham shed in March, and already it feels like family to him. He comes to the shed two or three times a week to make picture frames among other things, but also to have a chat.

“I’m a former carpenter and joiner. I’ve worked for firms that when they take you on, you get a load on your shoulder. The work became very strenuous as the years went on. Eventually I ended up with a hernia on the last job that I was on, and it causes me a lot of problems.

“I couldn’t go to work as I wanted to, and that caused a depression. I started to slow down and then I went to the doctor. From there I had a lot of counselling. I had a 12-week course with Time to Talk*. I just wanted to get out of the darkness.

Cas-and-Teresa-300x400“At home I was thinking: ‘Where can I turn to?’The doctor recommended Men in Sheds. Whoever I spoke to – Time to Talk, Greenwich MIND – said ‘Men in Sheds’. The spirit in me said to me: ‘Let me phone Men in Sheds’. So eventually, last March, I did.

“When I phoned Men in Sheds a very pleasant man called Steve picked the phone up. I said to him: ‘I’m in this situation and maybe you’re able to help me.’

“Steve gave me a rundown of what Men in Sheds is all about and invited me to come down and see for myself. So I said OK.

“I came here two days later and as I walked in it was like when something falls in place. All the machinery, the workshop was just there. It was what I needed, I always wanted a workshop; it was my dream. I’m a practical person: I could see an image and make it. I always enjoy making things. As soon as I saw the workshop here, I thought: This is my home.”

Now Cas has been coming to Men in Sheds for several months, he can say: “This family has always got time for me.”

*Also funded by the Big Lottery Fund

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